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Unquestionably one of the all-time most influential, important, and versatile
guitarists and songwriters in rock history is Jimmy Page. Just about every rock
guitarist from the late '60s/early '70s to the present day has been influenced
by Page's work with Led Zeppelin -- his monolithic riffs served as a blueprint
for what would eventually become heavy metal, yet he refused to be pigeonholed
to any single musical style (touching upon folk, country, funk, blues, and other
genres). Page also lent a hand in writing (or co-writing) Zeppelin's vast array
of classic songs and produced all their albums. Born on January 9, 1944, in
Heston, Middlesex, England, Page picked up the guitar at age 13 after being
inspired by the Elvis Presley tune "Baby Let's Play House," and while he took
several lessons, was mostly self-taught. Instead of attending college right
after high school, Page decided to join his first real rock band, Neil Christian
& the Crusaders, whom he toured England with. But Page fell seriously ill (with
glandular fever) and was forced to quit and recuperate. Dejected, Page pondered
giving up music and focusing on another interest, painting, as he enrolled at an
art college in Sutton, Surrey.
With the emergence of such bands as the Rolling Stones in the early '60s and
their gritty blues-rock, Page's interest in music perked up once again -- but
instead of forming a band right away, he decided to hone his craft by becoming
one of England's top session guitarists and producers. Although the exact
specifics of which sessions he was involved with have become hazy over time,
it's confirmed that he worked with many of the day's top acts, including the
Who, Them, Donovan, the Kinks, and the Rolling Stones, among others. By 1966,
Page was looking to put his session work on hold and join a full-time band; he
accepted an offer to play with the Yardbirds (initially as a bassist, then
shortly thereafter as a guitarist), as he was paired up with another one of
rock's all-time guitar greats, Jeff Beck. Although the Yardbirds began as a
straight-ahead blues-rock band, with the inclusion of Page in the lineup, the
group began experimenting with psychedelic and hard rock styles.
Despite it being obvious that the Yardbirds were on the downside of their career
(Beck left shortly after Page came onboard), Page appeared on the album Little
Games and several tours before the band finally called it a day in 1968. With a
string of tour dates still set up throughout Europe, Page decided to go through
with the shows and put together a new band who was dubbed the New Yardbirds --
including longtime session bassist John Paul Jones, plus newcomers Robert Plant
on vocals and John Bonham on drums. After the completion of their initial tour,
the band changed their name to Led Zeppelin and explored the still largely
uncharted territory of hard rock/heavy metal. The band immediately became one of
rock's most successful and enduring bands, issuing a string of classic albums
from 1969 through 1975 -- Led Zeppelin I, Led Zeppelin II, Led Zeppelin III, Led
Zeppelin IV, Houses of the Holy, and Physical Graffiti -- which spawned such
classic rock radio standards as "Dazed and Confused," "Whole Lotta Love,"
"Immigrant Song," "Black Dog," "Stairway to Heaven," and "Kashmir," as the band
also became a must-see live act in the process. Page also found the time to work
with folk artist Roy Harper (most notably his 1971 release, Stormcock, under the
alias S. Flavius Mercurius). Zeppelin was arguably the biggest rock band in the
world by the mid-'70s (their influence on other rock bands following in their
wake cannot be stressed enough) as they launched their own record company, Swan
Song, but it was around this time that Page began dabbling with heroin and other
substances, eventually leading to him becoming a full-blown addict by the late
'70s/early '80s (as a result, his playing began to suffer). Also, Page's
interest in the occult became a concern to those around him (he went as far as
purchasing a mansion on the Loch Ness in Scotland that was once owned by
renowned Satanist Aleister Crowley).
Zeppelin continued issuing albums until the dawn of the '80s (1976's concert
movie/soundtrack The Song Remains the Same and Presence, 1979's In Through the
Out Door), but tragedy ultimately derailed the quartet -- the death of Plant's
young son in 1977 and Bonham's alcohol-related death in 1980. After Led Zeppelin
decided to call it quits in late 1980, Page disappeared from sight (it became
known later on that he hardly touched his instrument for a long time afterward).
It wasn't until 1982 that Page began to emerge from his self-imposed exile, as
he composed and played on the motion picture soundtracks to Death Wish I and
Death Wish II, compiled the Zeppelin outtakes collection, Coda, and took part in
the 1983 star-studded A.R.M.S. tour, which saw Page unite with Beck and Eric
Clapton for a series of shows that raised money for multiple sclerosis research.
In 1984, Page guested alongside Plant, Beck, and Nile Rodgers on the hit EP of
rock & roll oldies The Honeydrippers, and formed his first band since the demise
of Zeppelin, dubbed the Firm. The group featured former Free/Bad Company
vocalist Paul Rodgers, and despite the fact that their self-titled debut was a
sizeable hit, the band decided to call it a day shortly after the release of
their lukewarm-received sophomore effort, Mean Business.
Zeppelin fans were given a rare treat when their surviving three members
reunited (with drummers Tony Thompson and Phil Collins) for the mammoth Live Aid
at Philadelphia's JFK Stadium in July 1985 -- unfortunately handing in an
incredibly under-rehearsed, sloppy performance. Zeppelin reunited again in 1988
for the Atlantic Records 25th Anniversary Concert at New York's Madison Square
Garden (this time Bonham's son, Jason, filled in for his late father behind the
kit), and yet again performed another mistake-filled mini set. The same year
Page guested on Plant's solo release, Now & Zen, as well as issuing his first
ever solo recording, Outrider, following it up with a tour that touched upon
tracks from all eras of his career. By the early '90s, further rumors of an
impending Zeppelin reunion continued to circulate, and after Plant declined an
invitation from Page to join forces once again, Page decided to collaborate with
former Deep Purple/Whitesnake vocalist David Coverdale, whose vocal style has
often been compared to Plant's over the years. Page's latest project only lasted
a single album, 1993's heavily Zep-like Coverdale/Page, as a proposed world tour
was scrapped in favor of just a few select dates in Japan.
In 1994, Plant and Page finally agreed to collaborate once again (although Jones
wasn't invited this time), leading to the release of the acoustic set No Quarter
the same year, plus a highly popular MTV Unplugged special and sold-out world
tour. A year later, Led Zeppelin was inducted into the Rock & Roll Hall of Fame,
this being the second time a Page-related band got the nod from the Hall (in
1992, the Yardbirds were honored). 1998 saw Plant and Page issue an album of
all-new material, Walking into Clarksdale, which was surprisingly not well
received by the public, sinking from sight shortly after its release. The duo
went their separate ways by the late '90s, as Page joined the Black Crowes for a
tour and live album (2000's Live at the Greek). The same year as the album's
release, another Crowes/Page tour was cut short due to a back injury Page
suffered. But in June of 2001, Page took to the concert stage alongside Plant to
celebrate the 60th birthday of their friend, folk artist Roy Harper. ~ Greg
Prato, All Music Guide
Source: vh1.com
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