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A purveyor of old-fashioned popcorn entertainment, writer/director Stephen
Sommers hit pay dirt with his effects-driven action spectacle The Mummy (1999).
Born in Indianapolis and raised in St. Cloud, MN, Sommers left the Midwest
behind to attend college in New York and Seville, Spain. After spending several
years as a performer and band manager in Europe, Sommers returned to the United
States to study in U.S.C. Film School's graduate program. Following his
directorial debut Catch Me If You Can (1989), Sommers gained further Hollywood
notice with his live-action adaptations of The Adventures of Huck Finn (1993)
and Rudyard Kipling's The Jungle Book (1994) for Disney. He moved to more
grown-up action, and high-tech effects, with the Treat Williams ocean-liner
thriller Deep Rising (1998), but the movie failed to make an impression at the
box office.
Sommers finally nabbed the Hollywood blockbuster brass ring, however, with his
version of The Mummy (1999). Loosely updating the 1932 Universal Studios Boris
Karloff chestnut with top-notch digital effects, Sommers' combination of flashy
action, a monstrous, shape-shifting Imhotep, and amiably hunky hero Brendan
Fraser won over the audience (if not all the critics), turning The Mummy into
the first summer blockbuster of 1999. Sealing The Mummy's success, Sommers and
his cast reunited for the sequel The Mummy Returns (2001). Heavily hyped and
featuring a new little boy character to appeal to the young fry as well as an
appearance by wrestling star The Rock as the Scorpion King, The Mummy Returns
made a record-setting debut in early May 2001. Despite critical disdain for its
chaotically amped-up special effects and paper-thin story, The Mummy Returns
went on to become one of the biggest hits of the summer.
Source:
movies2.nytimes.com
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